Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, "hired to write for every small paper in Washington, D.C., just as it was about to fold," saw that jink broken in 1984, when he came to NPR.

For more than three decades, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.'s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he's proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he's produced from Argentina, where he and his husband have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says. "As most people see in a lifetime."

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We keep hearing that this election is like no other, but when I watch old movies, I often hear echoes of what's going on in the campaign.

The guy who opines in A Face in the Crowd (1957), say, that in the then-new age of television, "instead of long-winded public debates, people want capsule slogans."

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If you're looking for evidence of Andrzej Wajda's filmmaking smarts, it's right there in his first, black-and-white movie, made in 1955. A trench-coated young man races through Warsaw at the height of World War II, past corpses dangling from streetlights, pursued by Nazi soldiers who chase him into a building and up a central staircase.

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A forgetful fish named Dory turned out to be this summer's big movie star.

(SOUNDBITE OF FILM, "FINDING NEMO")

ELLEN DEGENERES: (As Dory) Just keep swimming, swimming, swimming. What do we do? We swim, swim.

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This piece was inspired by NPR's summer recommendation series, Read, Watch, Binge!

Over the next two weeks, Republicans and Democrats will gather in Cleveland and Philadelphia for a ritual that has become almost entirely ceremonial: Each party will "select" pre-selected presidential candidates.

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Dating is plenty complicated as things stand. But suppose romance came with deadlines, and a penalty for not meeting them. That's the dilemma Colin Farrell faces in filmmaker Yorgos Lanthimos' latest weirdness. The maker of Dogtooth, which takes home schooling to comically absurd extremes, and Alps, which does much the same for the process of grieving, is tackling notions of romance in The Lobster, and let's just say that rom-coms don't come much stranger.

Updated at 3:30 p.m. ET on Friday with a response from AMC.

Texting at the movies is usually annoying and usually banned. But the CEO of the giant movie theater chain AMC says maybe it's time to rethink that.

AMC Entertainment CEO Adam Aron floated a trial balloon in an interview with Variety at CinemaCon, a film industry trade convention, saying the chain has considered adding showings where using your cellphone will be allowed.

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This week the world's been treated to a commentary on immigration reform from a surprising source: William Shakespeare.

Marvel's new superhero movie Deadpool stars Ryan Reynolds, a fact that, up to now, would likely not have been considered much of a selling point. This is not, after all, Reynolds' first stint as a superhero. There was that catastrophic Green Lantern movie, his animated supersnail in Turbo, and he played this character very briefly in what's arguably the least of the X-Men movies.

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The new movie, Rams, has absolutely nothing to do with Peyton Manning. It's a story from Iceland that involves sheep, snow, a herd-afflicting virus called scrapie and sufficient sibling rivalry to power a Greek tragedy.

Like many — perhaps most — Americans, I've never been to Iowa. But I and much of my generation learned a lot about Iowans years ago from a classic American musical. I knew from the age of 8 that Iowans are stubborn. I learned that from the song "Iowa Stubborn" in Broadway's The Music Man. My folks had seen the show and told me how, when traveling salesman Harold Hill got to River City, Iowa, everybody followed him around because he was an outsider — but they were kind of weird and standoffish.

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A short story about a long marriage — "In Another Country" by David Constantine — provided source-material for Andrew Haigh's breathtaking marital drama, 45 Years, but it's been enhanced and sharpened in its transition to the screen. What was once a story that harked back to WWII, and was loosely based on a real incident, has become a devastatingly intimate tale about a couple unsettled late-in-life, by an unexpected revelation.

Looking for evidence that truth is stranger than fiction? Alan Bennett has a story for you: The Lady in the Van, about a writer named Alan Bennett who let a homeless woman move her van into his London driveway for "a couple of weeks," only to have her stay for 15 years.

This was, by his own account, awkward while it was happening, but from that awkwardness has come a best-selling book, and a splendid part for Maggie Smith on the radio, in a hit London play and now in a movie.

Last week, James Bond, this week James White — proof, should any be required, that fall movies come in all shapes and sizes.

Filmmaker Josh Mond, making his feature directing debut after producing a slew of intriguing indies, brings intensity to an intimate domestic drama about a feckless New York City slacker who appears to have a fight-or-flight approach to a familial crisis.

Spectre opens in Mexico City — a Day of the Dead festival in full swing — streets crowded with partying skeletons, and director Sam Mendes celebrating the dead in his own way with a nifty Orson Welles tribute: A Touch of Evil-style tracking shot that has no obvious edits for at least five minutes as it follows Bond (Daniel Craig) and a gorgeous brunette (Stephanie Sigman) from the costumed parade route into a hotel, up in a crowded elevator to a well-appointed room where she settles seductively on a bed — only to watch him zip out onto a roof ledge with a quick shirt cuff

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Some movie titles tell you exactly what the movie's going to be about. Others, not so much.

The new documentary Do I Sound Gay? falls firmly into the first category. (The comedy Tangerine, which has nothing to do with citrus, falls just as firmly into the latter; more about it in a moment.)

But first, the obvious question: Do I sound gay? I mean, you hear me on the radio all the time. (Or, if you don't, you can also hear me in the audio link above.) So really, do I?

With Spy topping Hollywood's box-office charts this weekend, Melissa McCarthy becomes the latest woman to head a major box-office hit in 2015. And while that merely puts her in good company this year, it's hardly been common in the past.

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