Jewly Hight

John Prine never really liked his singing voice. "The only reason I figured out I didn't like my old records to listen was I could hear how nervous I was, and how uncomfortable I was," the venerated musician says. "And who would want to sit around and listen to yourself being uncomfortable?"

Today, Prine is releasing The Tree of Forgiveness, his first album of new material in 13 years, to an audience that spans generations.

For decades now, country's aesthetic and ideological sensibilities have been shaped as much by the music's modern, middle-class suburban appeal as its rural working-class roots, which can make for quite the rhetorical push-and-pull (likely one of many factors that contributed to the Dixie Chicks' famed expulsion from the format over voicing distaste for the second President Bush during a U.K. concert). Working-class political speech hasn't always been recognized as political at all; it's just as likely to be dismissed as class resentment.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

One day in late February, the five members of Front Country were warming up for their record release show at the renowned bluegrass club the Station Inn, in their new home base of Nashville, Tenn. They'd never played most of these songs live before.